Best Microphone for Canon EOS R5 & EOS R6
The Canon EOS R5 and Canon EOS R6 is Canon’s latest full frame mirrorless cameras released in 2020. EOS R5 and EOS R6 are great for video recording, can shoot 4K movie and even 8K movie. In order to get better video & movie sound quality, you’d better get a microphone for EOS R5 and EOS R6. We have tested and reviewed latest microphones, and below are top recommended ones for Canon EOS R5 and EOS R6:
Rode VideoMic Pro+ Shotgun Microphone – Check Price at Amazon/B&H Photo Video/Adorama
The Rode VideoMic Pro+ Shotgun Microphone is one of the best mics for EOS R5 and EOS R6. Equipped with expanded power options, extended tonal control, and a redesigned windscreen in a smaller footprint than the VideoMic Pro, the Rode VideoMic Pro+ is optimal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters in need of a flexible camera-mount shotgun mic that’s also at home on a boompole.
Features:
- Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features.
- Automatic Power Function (with plug-in power availability) is perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera.
- Built-in Battery Door makes replacing the battery a breeze – plus it won’t get lost.
- Power options the VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB.
- Digital Switching – will ensure the user has ultimate capture of the audio signal at the source, reducing post production and editing times.
Rode VideoMic NTG Hybrid Analog/USB Camera-Mount Shotgun Microphone – Check Price at Amazon/B&H Photo Video/Adorama
The Rode VideoMic NTG is another great mic for EOS R5 and EOS R6. It gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that requires no additional adapters to work with cameras, smartphones, tablets, portable recorders, and USB-equipped computers.
Features:
- Vlogger, Run & Gun, Voiceover, Podcaster
- For Cameras, Mobile Devices & Computers
- 30-Hour USB Rechargeable Battery
- Variable Gain, Pad, Roll-Off & HF Boost
- USB Out or 3.5mm Out with Safety Channel
- Power Switch with LED and Auto On/Off
- Peak Warning LED
- Windscreen Reduces Wind Noise
- Includes Shoe/Pole Shockmount
Sennheiser MKE 600 Shotgun Microphone – Check Price at Amazon/B&H Photo Video/Adorama
The Sennheiser MKE 600 Shotgun Mic is the top rated and high-end microphone for Canon EOS R5/EOS R6. Upgrade the audio quality in your video productions by switching from the built-in mic on your camera to the Sennheiser MKE 600 battery- or phantom-powered shotgun microphone. Its focused directional characteristics and resistance to structure-borne noise offer sonic results well suited to a variety of production scenarios from independent films and web series to nature shows and documentaries.
Features:
- Flexible use on any camera due to compact form
- Exceptional directivity
- Maximum rejection of side noise
- Switchable low-cut filter
- Phantom or battery powering
- Battery switch with “Low Batt” indicator
- All-metal housing
- Very good suppression of structure-borne noise
Rode VideoMic Pro Shotgun Microphone – Check Price at Amazon/B&H Photo Video/Adorama
Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.
Features:
- Rycote Lyre shock mounting onboard
- All-new capsule with lower noise and higher sensitivity
- Broadcast recording quality condenser microphone
- Compact form factor (6″/150mm length)
- Ultra lightweight (3oz/85g)
- 9V battery powered – over 70 hours use (alkaline)
- Integrated shock mounting
- Integrated foam windscreen
- 3.5mm stereo mini-jack output (dual mono)
- Two step High Pass Filter (flat, 80Hz)
- Three position level control (-10dB, 0, +20dB)
- Camera shoe mount with 3/8″ thread for easy boompole mounting